"
 
 

~  *  ~  *  ~  *  ~  *  ~  *  ~  *~  *  ~  *  ~  * ~  *  ~  *  ~  *

 

The Sound Post; June 27th, 2009, by Colin Oettle

New Works by Deak and Sinco Performed in New York

After, Deak Hurries Off to Play Maazel’s Final Performance

"NEW YORK, NY — Associate Principal Bassist of the New York Philharmonic Jon Deak came forward, applauding, to shake the hands of musicians led by conductor Thomas Carlo Bo after they completed a performance his composition Lad, a Dog (Part II: The Visitor). ...

... The second work on the program was a single-act opera [Raya and Sag-In] by Carmela Sinco. Also led by Bo, the work featured tenor, soprano, and bass, who together depicted a story “inspired by a folk legend from the Philippines.” It was the premier run of the opera, and though contemporary, Sinco’s tonalities suggested a melodic approach influenced perhaps by the same folk traditions that inspired the opera itself. The setting is described as “a time and place when spirits and humans can cross paths,” which outlines the premise for the entire work. Sag-In, a spirit, falls hopelessly in love with Raya, a human. And so their struggle to love each other unwinds throughout the opera. The arias cycle between the three characters Sag-In, Raya, and Bathala—the leader of the spirit world—culminating in a duet and trio in the final scene. Chromaticism and long lines evoke the struggle of two forbidden partners, and ultimately gift the piece with originality and a separation from what could have been another bland love story."

 

~  *  ~  *  ~  *  ~  *  ~  *  ~  *~  *  ~  *  ~  * ~  *  ~  *  ~  *

Curtain Up, December 15, 2007

The Internet Theater Magazine of Reviews, Features and Annotated Listings

A Curtain Up review of Piaf: Love Conquers All, by Paulanne Simmons

www.curtainup.com

...  The show also owes much to the marvelous piano playing of Carmela Sinco, who sits upstage at her piano, barely visible behind a scrim. Sinco expresses instrumentally what Emmerson conveys vocally. Her playing is lush, romantic and evocative.  ...

Article address:  www.curtainup.com/piaf.html

~  *  ~  *  ~  *  ~  *  ~  *  ~  *~  *  ~  *  ~  * ~  *  ~  *  ~  *


New Music Connoisseur, July 17, 2007

The magazine devoted to the contemporary music scene, in Association with Composers Concordance, Inc.

www.newmusicon.org

Art Song for Art Song’s Sake, by Barry L. Cohen

Song New York, A Concert of Vocal Music.” by Deak, Earnest, de Kenessey, Owen, Peaslee, Jonny and Lou Rodgers, Rorem, Sinco and Spektor. Soprano Elizabeth Cherry; Mezzo Wendy Brown; tenor John Nelson; baritone Charles Coleman; pianist Thomas Carlo Bo. Presented by Golden Fleece Ltd., the Composers Theatre. Renee Weiler Recital Hall, GHMS. Dec, 8, 2006.

...  Was it planned or just coincidental that the opening four-song set, “Simon Says” by Carmela Sinco, was the raciest and most contemporaneously chorded of the evening with punchy cadences and tongue-in-cheek underpinnings in the piano part, played to perfection by Mr. Bo. Baritone Coleman had a great time singing these songs, and his by now infamous “See-how-comfortable-I-am-in my-own-skin” posture served him well here.  ...


Article Address: http://newmusicon.org/index.php/2007/07/17/art-song-for-art-song%e2%80%99s-sake/

 

~  *  ~  *  ~  *  ~  *  ~  *  ~  *~  *  ~  *  ~  * ~  *  ~  *  ~  *

 
Snake Oil Sam Internet Media Publishing © 2006
posted on Monday, November 13, 2006

Victoria Wefer and Carmela Sinco Performance at New Jersey City University

"Few words are required to describe the recent performance of lyric soprano Victoria Wefer and pianist Carmela Sinco. As a matter of fact I believe that I can describe it in only two words. Absolute talent! Even fewer words are required, indeed one word will suffice. Perfection!...

...Together these two women became one in a transition of substance into pure energy...

...Sinco enjoys a career as a pianist, composer and educator in the New York City area. Though her list of accomplishments is far too great than time allows writing about, she has performed with classical singers in music festivals in Nice, France; Barcelona, Spain; St. Petersburg, Florida; and Montpelier, Vermont.

In this most recent recital Carmela performed her original composition set to a poem by Dorothy Parker titled “The Little Old Lady in Lavender Silk” to the delight of the Audience.

During the recital Sinco also took to the stage to offer a solo performance of Francisco Buencamino Sr.’s work titled “Harana.” Playing without the need of sheet music Carmela played the work as though in a trance. Her arms effortlessly flowed across the keyboard in a way that made any observer believe that she was possessed by a spirit of music.

But it was in fact simply the well trained and skilled accomplishment of a young lady who has so well rehearsed the work that it has become a part of who she is. Yes, she has the ability to transform into the music becoming one with the instrument. Like a Zen Master of music Carmela had become the music..."
 

http://snakeoilsam.blogspot.com/2006/11/victoria-wefer-and-carmela-sinco.html

~  *  ~  *  ~  *  ~  *  ~  *  ~  *~  *  ~  *  ~  * ~  *  ~  *  ~  *